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Canon Ultra-Wide Zoom EF-S IS USM Lens

Canon Ultra-Wide Zoom EF-S IS USM Lens

17-55mm, F/2.8 - MPN: 1242B002

As low as $969.99 from TriStateCamera.com Rated 5 Star Review out of 14 reviews See Price History

Description:  To meet user demands for a fast EF-S zoom lens, Canon has specially designed this lens with a large aperture of f/2.8 for select Canon Digital SLR cameras. The large circular aperture produces a shallow depth-of-field, creating background blur that draws attention to the ph... read more

To meet user demands for a fast EF-S zoom lens, Canon has specially designed this lens with a large aperture of f/2.8 for select Canon Digital SLR cameras. The large circular aperture produces a shallow depth-of-field, creating background blur that draws attention to the photographic subject. The lens construction includes UD and aspherical elements, which deliver impressive image quality throughout the entire zoom range. Image Stabilizer lens groups shift to compensate for camera movement so that the image appears steady on the image plane, ensuring clear, crisp images, even in dim light. With a Ring-type USM, inner focusing and AF algorithms, this lens achieves autofocus quickly and quietly, and with full-time mechanical manual focusing, manually adjusting the focus is possible even in AF mode. minimize
 
 

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a good marker on the road to the perfect EF-S lens

Started Aug 2, 2007

Strengths: Speed and focus accuracy, image quality, sharpness, moderately priced

Weaknesses: 55mm is a little short but for about 80% of the shots that I want to take it is long enough

First, I would rather have something more like a 20-135. Beyond that this lens is the best that I have tried out of the 17-85 F4 and the 28-135 F3.6. I think the F2.8 is almost required to get decent focus accuracy and reliability. It may not need to be a *constant* F2.8 but at least at the wide angle it should be F2.8. The short porch is very nice, makes it easy to shoot whatever you are standing in front of, the 28-135 is just too long for this. The only thing this 17-55 leaves me wanting is another 2x or so of zoom range. It would be great at 20-100, even. Wide-angle at night only works for close-up subjects, and the 55mm limit means a lot of walking around to get a good crop on the shot. And you can't use "digital zoom" if you don't get a good focus, so with the Rebel XTi and just about every lens that I've tried, I can't rely on getting a good focus at high zoom. Sometimes it works, sometimes not. But otherwise, I think this lens is worth the $900, the 17-85 is worth the $400, I'd stay away from the 28-135 and the kit lens is not all that bad for "free". What I really want, now, and I guess I'm going to have to wait for, is a good-quality 20-120 or so, F2.8-F4.5ish lens with IS. There is no point in getting a lens that will not focus reliably. Now as far as speed...I've shot this camera handheld at night at full zoom and gotten good shots, plenty of times. Pick your poison: ISO1600 RAW to ISO400 jpeg, it'll do it for you.

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Replied Aug 16, 2007

(excerpt from my review of the 24-105 F4) wow, for once, after another night of shooting, I'd pretty-much just have to repeat what I just said, except to add more emphasis on the limit of this 400D camera and 24-105 F4 lens being focus-quality more than speed. I tried an ISO100 shot from a rest, it was hardly any better than the ISO800 shot handheld, in fact, one attempt was worse than handheld because the focus accuracy was pretty bad. And I mean, that's another mark on the F4 lenses. They need the multipoint focus as the light gets bad. You get shots that are "ok" but clearly not sharp and in focus, and they flat-out look out of focus when viewed at 100%. In terms of light, with decent night light you can shoot this lens at IS01600 handheld and get good results, when it is dark? It's too dark to do it. Doubling the speed for the same exposure, or getting another EV step, helps a lot, when you're shooting at 1-10s F4. So, ok. With the 17-55 F2.8 its limit is really the available light, as it is focus-limited, and 55mm even on a 1.6x FOV crop camera is just way too short. I did an experiment with this last night, starting at 100mm I walked down towards a target that I had shot at half viewfinder size. It took me 5 blocks just to get down to 70mm on the lens. I think the 24-105 F4 simply gives you more in trade than you lose, by switching from the 17-55 F2.8. You can always use that mini-tripod for the rare night shot that you just can't get handheld with the F4, and of course you will lose some 55mm shots that it isn't fast enough for, but you get so much more with the extra zoom during the day...all at F4. I regret losing the wide-angle more than losing the F2.8 but still that is a major penalty for shots that you are forced to take at 24mm instead of 17-24mm. Of my 500 keepers from yesterday, with this lens, about 190 were 24mm and about 150 were 55-105mm. That would really be more like 2:1 or so but still. You aren't going to get shots over 55mm with a 17-55mm lens, and the 24mm short end means that you have to take some shots from an angle or from long-distance instead of straight on. It does mean that there is a greater chance of more "junk" getting in the shot, it does mean even more of a stability penalty in low light. But it's like buying a $5k moped or a $5k used Nissan Sentra. One just flat-out does not make sense unless you live in Monaco, or Newport News, or something. Maybe your girlfriend would never be seen in a used Nissan Sentra. But you sure as hell aren't taking her on a trip to the beach on a moped, unless you live just off the shore. But to be honest with you I can't really decide which is the best all-around lens. They're both great lenses.

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Product Details

Features, specifications, & other useful info

  • Ultra-Wide Zoom Lens Lens Type:
  • 55 mm Max Focal Length:
  • Optical Image Stabilization:

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